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HOME : SAYTAY : ARTICLES
An Exodus of Filipino Musicians The following article was written in Tokyo. This was published in a
major daily on May 1, 1955 Here in Tokyo, the "New York of the Far east," the Filipino musician
has managed to make a comfortable living in spite of stiff competition
from Japanese musicians who have improved surprisingly from the time the
first Americans came here in 1945. the American on Japanese music,
particularly in the field of Jazz, remains manifested whenever a Japanese
musician picks up his instrument to play. I find, however, that our
countrymen here are more than able to meet the standard of living which is
quite expensive. It would of course be difficult to generalize their
reasons for coming over but certainly they find life better in all
respects than they did in Manila in as far as music and working
opportunities are concerned.
On the other hand, the good Filipino musician has within him the brilliant qualities of the artist-in all aspects of music, serious or popular. But as fate would have it, this good musician never won the chance to prove how good he was because of the limited places of musical employment in our country and the inclination of the Filipino audience toward music that is for the feet rather than for the ear.
But there is one thing that strikes me. The Japanese musicians have not as keen a sense of harmony as do Filipino musicians. I have found out that bass players and pianists use different notes to adapt to a certain melody. In this aspect, I believe that we are superior. This does not mean, however, that Japanese musician are not good. It is simply that they are still young and in the process of development while we have matured enough along this line.
The situation, however is not hopeless foe the
young, progressive Filipino musician. His progress is hampered only by the
lack of adequate music material and the places to use them. I have high
praises for their attempts to improve their style. They are good
musicians, academically equipped and yet full of expression and feeling in
their playing and writing. It is not, I think, too much to hope that our
musical field will expand very soon, something that would be identical
with Tokyo's.
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