![\"egomez\"](\"http:\/\/www.amp.org.ph\/wp-content\/uploads\/2014\/05\/egomez-e1401179990915.jpg\")
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Musikong banyaga, pusong Pilipino. Mabuhay ka.<\/p>\n
2007 Grammy award nominee Edsel Gomez is today one of the premier Latin Jazz pianists in the world. Born in Puerto Rico in 1962, he began piano studies at age five. He grew up in a musical environment that allowed him to master afro-Caribbean rhythms in depth, working since childhood with an incredible array of Latin music idols such as Marvin Santiago, Celia Cruz, Carlos \u201cPatato\u201d Valdes, Santitos Colon, Cheo Feliciano, Roberto Roena, Willie Colon, Ismael Rivera Jr., Luis \u201cPerico\u201d Ortiz, Olga Guillot, Lola Flores, Marco Antonio Mu\u00f1iz, among many others.<\/p>\n
He gained a Bachelor of Music Degree at Berklee College of Music with a Count Basie Award for outstanding musicianship in 1985 while expanding his performance credits working with such renown Jazz artists as Gary Burton, Claudio Roditi, Bill Pierce, Don Byron, Chick Corea and Jerry Gonzalez among many others.
\nRelocated to Brazil from 1986 to 1996 he studied extensively Brazilian Music and worked accompanying such renown artists as Cauby Peixoto, Wilson Simonal, Paulinho da Viola, Amelinha, Caetano Veloso, Joao Bosco, Lucinha Lins, Angela Maria and Trombonist Raul de Souza, recording de Souza\u2019s \u201cThe other side of the moon\u201d (BMG,Brazil). Within the Brazilian landscape he worked as a Pianist, Arranger, Composer, Conductor\/Musical Director of Broadway-like shows, educator, producer and managed his own recording studio\/production company. Within a short time, most Brazilian musicians considered him \u201cone of ours.\u201d Gomez\u2019s personal approach to fusing jazz, Latin and Brazilian music gives him a unique personality and musical voice.<\/p>\n
Since relocating to New York in 1997, he has been featured in saxophonist David Sanchez\u2019s \u201cgrammy nominated\u201d albums, \u201cObsesion\u201d, \u201dMelaza\u201d, \u201cTravesia\u201d -(Sony\/Columbia.) and a fourth, the new \u201cCoral\u201d -LATIN GRAMMY WINNER (with the Prague Radio Symphony Orch); Clarinetist Don Byron\u2019s \u201cTuskeegee Experiments\u201d (Electra\/Nonesuch,1994) \u201cMusic for six musicians\u201d and \u201cYou are number six\u201d(Blue Note); Richard Bona\u2019s \u201cScenes from my life\u201d and \u201cReverence\u201d (Sony\/Columbia) and has toured extensively around the world. Edsel has released an album dedicated to the music of Chico Buarque (Celebrating Chico Buarque de Hollanda, 1999, on Mixhouse, Brazil) and recorded a new album, Cubist Music -(Zoho Music,2006, produced by Don Byron), featuring Edsel\u2019s original compositions reflecting his own improvisational concept based on Cubist Art, performed by a stellar group comprised of Clarinetist Don Byron, saxophonists David Sanchez, Steve Wilson, Greg Tardy, and Miguel Zenon, bassist Drew Gress and Drummer Bruce Cox.<\/p>\n
Edsel works around the world as Dee Dee Bridgewater\u2019s pianist\/arranger, along with new proyects that include Jack DeJohnette\u2019s \u201cLatin Proyect\u201d featuring Giovanni Hidalgo, Don Byron, Luisito Quintero and Jerome Harris; Conrad Herwig\u2019s “Latin side of Miles” (\u201cAnother Kind of Blue-Live at the Blue Note\u201d-Half note records and \u201cThe Latin Side of Coltrane\u201d-Criss-Cross) featuring Paquito D\u2019Rivera, Dave Valentin, Brian Lynch, Richie Flores, Mario Rivera, Robbie Ammeen and John Benitez, and a collaboration with Vocalist Janis Siegel.<\/p>\n","protected":false},"excerpt":{"rendered":"
Musikong banyaga, pusong Pilipino. Mabuhay ka. 2007 Grammy award nominee Edsel Gomez is today one of the premier Latin Jazz pianists in the world. Born in Puerto Rico in 1962, he began piano studies at age five. He grew up in a musical environment that allowed him to master afro-Caribbean rhythms in depth, working since […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-259","post","type-post","status-publish","format-standard","hentry","category-news-feed"],"_links":{"self":[{"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=\/wp\/v2\/posts\/259","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=259"}],"version-history":[{"count":4,"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=\/wp\/v2\/posts\/259\/revisions"}],"predecessor-version":[{"id":263,"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=\/wp\/v2\/posts\/259\/revisions\/263"}],"wp:attachment":[{"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.amp.org.ph\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}