AMP SUPPORTS THE FIRST PINOY MUSIC FESTIVAL

Tomorrow September 5, 2014 at the Ayala Triangle Garden, we shall witness a milestone in the local music industry as we witness the gathering of all the leading music organization in one goal. #palakasinangopm

AMP shall be represented by the AMP Big Band for the culminating event/concert slated to start at 7pm and is free to the public.  Show your support for our local music, musicians and artists by being a witness to this grand event.

AMP Secretariat shall be on-site to assist any professional musician who wishes to sign up and become a member of AMP.  We hope to see you there.

 

PMF

 

 

AMP welcomes Edsel Gomez, newly inducted honorary member for 2014.

egomez

Musikong banyaga, pusong Pilipino. Mabuhay ka.

2007 Grammy award nominee Edsel Gomez is today one of the premier Latin Jazz pianists in the world. Born in Puerto Rico in 1962, he began piano studies at age five. He grew up in a musical environment that allowed him to master afro-Caribbean rhythms in depth, working since childhood with an incredible array of Latin music idols such as Marvin Santiago, Celia Cruz, Carlos “Patato” Valdes, Santitos Colon, Cheo Feliciano, Roberto Roena, Willie Colon, Ismael Rivera Jr., Luis “Perico” Ortiz, Olga Guillot, Lola Flores, Marco Antonio Muñiz, among many others.

He gained a Bachelor of Music Degree at Berklee College of Music with a Count Basie Award for outstanding musicianship in 1985 while expanding his performance credits working with such renown Jazz artists as Gary Burton, Claudio Roditi, Bill Pierce, Don Byron, Chick Corea and Jerry Gonzalez among many others.
Relocated to Brazil from 1986 to 1996 he studied extensively Brazilian Music and worked accompanying such renown artists as Cauby Peixoto, Wilson Simonal, Paulinho da Viola, Amelinha, Caetano Veloso, Joao Bosco, Lucinha Lins, Angela Maria and Trombonist Raul de Souza, recording de Souza’s “The other side of the moon” (BMG,Brazil). Within the Brazilian landscape he worked as a Pianist, Arranger, Composer, Conductor/Musical Director of Broadway-like shows, educator, producer and managed his own recording studio/production company. Within a short time, most Brazilian musicians considered him “one of ours.” Gomez’s personal approach to fusing jazz, Latin and Brazilian music gives him a unique personality and musical voice.

Since relocating to New York in 1997, he has been featured in saxophonist David Sanchez’s “grammy nominated” albums, “Obsesion”, ”Melaza”, “Travesia” -(Sony/Columbia.) and a fourth, the new “Coral” -LATIN GRAMMY WINNER (with the Prague Radio Symphony Orch); Clarinetist Don Byron’s “Tuskeegee Experiments” (Electra/Nonesuch,1994) “Music for six musicians” and “You are number six”(Blue Note); Richard Bona’s “Scenes from my life” and “Reverence” (Sony/Columbia) and has toured extensively around the world. Edsel has released an album dedicated to the music of Chico Buarque (Celebrating Chico Buarque de Hollanda, 1999, on Mixhouse, Brazil) and recorded a new album, Cubist Music -(Zoho Music,2006, produced by Don Byron), featuring Edsel’s original compositions reflecting his own improvisational concept based on Cubist Art, performed by a stellar group comprised of Clarinetist Don Byron, saxophonists David Sanchez, Steve Wilson, Greg Tardy, and Miguel Zenon, bassist Drew Gress and Drummer Bruce Cox.

Edsel works around the world as Dee Dee Bridgewater’s pianist/arranger, along with new proyects that include Jack DeJohnette’s “Latin Proyect” featuring Giovanni Hidalgo, Don Byron, Luisito Quintero and Jerome Harris; Conrad Herwig’s “Latin side of Miles” (“Another Kind of Blue-Live at the Blue Note”-Half note records and “The Latin Side of Coltrane”-Criss-Cross) featuring Paquito D’Rivera, Dave Valentin, Brian Lynch, Richie Flores, Mario Rivera, Robbie Ammeen and John Benitez, and a collaboration with Vocalist Janis Siegel.

AMP/OPM on B.I.D Memorandum of Agreement

AMP/OPM on B.I.D Memorandum of Agreement From Atty. Pablito Perez

The Memorandum of Agreement with the Bureau of Immigration and Deportation (“BID”) enforcing the equity system of OPM and Amp is valid and enforceable on the following grounds:

1.The 1987 Constitution directs the State to extend its patronage over arts and letters.

1.1 Article xiv, section 15, “Arts and letters shall enjoy the patronage of the State. The State shall conserve promote, and popularize the nation’s historical and cultural heritage and resources as well as artistic creations”.

2. The BID has plenary powers to regulate the entry of foreign artists and professionals.

2.1 The entry and admission of foreigners for whatever purpose is a mere privilege, not a demandable right.

2.2 Section 3 of the Immigration Act grants the BID broad rule-making powers to issue such rules or instructions as may be best calculated to carry out the provisions of immigration laws, including restrictions or prohibitions on alien employment.

3.Regulation of entry to the practice of various trades or professions is a valid exercise of police power. (JMM Promotion and management Inc. et. Al vs. Court of Appeals, G.R. No. 120095, August 5, 1996)

3.1 Police power means the power to promulgate law, rules and regulations for the public good.

  • The MOA implements BID Law Instruction No. 27 ( Special Work Permit) and Law Instruction No. 56 (Supplement)
  • The BID has analogous agreements with the Philippine Basketball Association on imported players (1997 BI- PBA Memorandum of Agreement on Hiring of Professional Basketball Players). OPM/AMP/BID is not the only agreement of its kind.
  • The certification by OPM/AMP of Filipino artists and entertainers seeking foreign employment is a requirement of POEA